A weekend of travelling on the trains. Saturday night offered two back-to-back conversations about renting in London which were very informative (I am looking to move in the next few months) but not crackling (conversation 1: Northern Irish/Geordie/Londoner: Dalston is getting very pricey, conversation 2: beautiful young actress with long glamorous curly hair: Whitechapel is not). Then on sunday I got a real corker.
I accidentally got on the train heading in the wrong direction. On arrival at Liverpool Street two children had a job getting off the train as my bike and someone’s large bag were blocking the way. They had a little rummage through the bag, and called out ‘who’s animal skins are these?’ A man sitting down replied that they were his; and that they were for covering drums. He had his hood up and looked fairly nondescript initially, as I guess many of us do much of the time, but when I leaned over and asked him about it his face lit up and a number of gourmet chunks of information came bouncing forth.
He is a teacher by profession but loves to make drums, and recently took a piece of sycamore from his parent’s garden for a new base. In general, hard wood is the best because it is strong even when it is very thin, and the thinner it is, i.e. the larger the inside space, the more resonant the sound. He pulled a skin from the bag for me to have a sniff. It smelt distinctly of goat. He said he loves the smell although most people don’t. I rather liked it, sweet-scented and comforting. I imagine it is very intimate and connecting to work with such elemental raw materials; different woods, different animals. His favourite skin is sheepskin although initially the smell is very strong as it has to be wet when it is put on the drum; and takes a couple of weeks to dry. He pulled his phone out to show that he had made an antelope case for it and I had a sniff. I told him it smelt of oranges and he laughed because he had orange peel in his pocket. Nothing too mysterious there. He made a drum using road-kill badger skin once: I had a quiet smile at the unexpected and unusual music of his recycling.
He is proud of the callouses on his hands. They are not the same shape as a carpenter’s but he can always tell a carpenter by the callouses on their hands. If his hands start to soften he does some practical work until they are tough again. We shook hands. They were, indeed, tough. I took his photo and web address: elikemdrums.com. I shall have a peek at it and imagine the smell of the leathery skins and the feel of his leathery skin working with them.
The train ride back to where I had taken off in the wrong direction was a joyful and lively affair; two very young ‘Saga’ ladies who had been to see the latest David Hockney; (they got in to the private view, thanks to Saga Magazine) art created on an iPad. They loved it; artistically and technologically enthused; they were at least as colourful as the pictures they showed me. Glad I took the wrong train. Something of a spangly sunday, all in all.

